Comfort for the Tempted! – Charles Spurgeon Sermon
1 Corinthians 10:13 No temptation has overtaken you except what is common to mankind. And God is faithful; he will not let you be tempted beyond what you can bear. But when you are tempted,[c] he will also provide a way out so that you can endure it.
Are You Prepared to Die? – Charles Spurgeon Sermon
Jeremiah 12:5 “If you have raced with men on foot
and they have worn you out,
how can you compete with horses?
If you stumble in safe country,
how will you manage in the thickets by the Jordan?
Hebrews 9:27 Just as people are destined to die once, and after that to face judgment
The hymn is based on a long medieval Latin poem, Salve mundi salutare, with stanzas addressing the various parts of Christ’s body hanging on the Cross. The last part of the poem, from which the hymn is taken, is addressed to Christ’s head, and begins “Salve caput cruentatum.” The poem is often attributed to Bernard of Clairvaux (1091-1153), but it first appears in the 14th century.
The last part of the poem was translated into German by the prolific Lutheran hymnist Paul Gerhardt (1607-1676). The German hymn begins, “O Haupt voll Blut und Wunden.
The hymn was first translated into English in 1752 by John Gambold (1711-1771), an Anglican vicar in Oxfordshire. His translation begins, “O Head so full of bruises.” In 1830 a new translation of the hymn was made by an American Presbyterian minister, James Waddel Alexander (1804-1859). Alexander’s translation, beginning “O sacred head, now wounded,” became one of the most widely used in 19th and 20th century hymnals.
Another English translation, based on the German, was made in 1861 by Sir Henry Baker. Published in Hymns Ancient and Modern, it begins, “O sacred head surrounded by crown of piercing thorn.”
In 1899 the English poet Robert Bridges (1844-1930) made a fresh translation from the original Latin, beginning “O sacred Head, sore wounded, defiled and put to scorn.” This is the version used in the Church of England’s New English Hymnal (1986) and several other late 20th-century hymn books.
The music for the German and English versions of the hymn is by Hans Leo Hassler, written around 1600 for a secular love song, “Mein Gmuth ist mir verwiret.” The tune was appropriated for Gerhardt’s German hymn in 1656. Johann Sebastian Bach arranged the melody and used it five times in his St. Matthew’s Passion; this arrangement has come to be known as Passion Chorale 7676D. Bach also used this melody in the opening choral and triumphant final chorus of his Christmas Oratorio, BWV 248.
Edom as a type; Jesus is He that comes; the glory and righteousness of God violated by the devil and sin; the return of Christ; the fate of unbelievers.
The Crowning Day is Coming – Martyn Lloyd-Jones Sermon
Isaiah 63:1 Who is this coming from Edom, from Bozrah, with his garments stained crimson?
Who is this, robed in splendor, striding forward in the greatness of his strength?
“It is I, proclaiming victory, mighty to save.”
2 Why are your garments red, like those of one treading the winepress?
3 “I have trodden the winepress alone; from the nations no one was with me.
I trampled them in my anger and trod them down in my wrath;
their blood spattered my garments, and I stained all my clothing.
4 It was for me the day of vengeance; the year for me to redeem had come.
5 I looked, but there was no one to help, I was appalled that no one gave support;
so my own arm achieved salvation for me, and my own wrath sustained me.
6 I trampled the nations in my anger; in my wrath I made them drunk and poured their blood on the ground.”
Nahum 1:3 The Lord is slow to anger but great in power; the Lord will not leave the guilty unpunished.
His way is in the whirlwind and the storm, and clouds are the dust of his feet.